The series of lectures Dante and Europe in the nineteenth century, organized by the Center for Italian Studies – Center of Italian Studies (CSI-CIS) of the Università Cattolica del Sacro Cuore of Milan in collaboration with the Biblioteca Ambrosiana, investigates the fortune of the Poet among leading figures of nineteenth-century European culture.
The lectures deal with different aspects, such as the critical reconstruction of the author’s texts, with specific investigations on the editing methods, or the spread of Dante’s work in translation.
Other lectures instead, present a broader approach.
Launched in autumn 2018, the meetings will continue in 2019 and 2020 with four appointments each year, two in the spring and two in the fall; the lectures presented will then be published into a volume.
(lectures are in Italian)
Giovedì 28 marzo 2019
Joel F. VAUCHER-DE-LA-CROIX, Liceo di Lugano 2
Filologia e culto di Dante in Svizzera nell’Ottocento: nuovi sondaggi da Picchioni a Scartazzini
Giovedì 4 aprile 2019
Angelo COLOMBO, Université de Franche-Comté
«Munusculo, quod vobis offero, non meo, sitis contenti rogo». Postille d’autore alle Dantis Alligherii epistolae quae exstant (1827) di K. Witte
Giovedì 14 novembre 2019
Norbert András MÁTYUS, Pázmány Péter Catholic University, Budapest
Dante in Europa centrale nell’Ottocento. Traduzioni e metodi di interpretazione
Giovedì 21 novembre 2019
Kristina LANDA, Università di Bologna
Le traduzioni di Dante nella Russia dell’Ottocento: dagli esperimenti formali alla scoperta del messaggio civile della Commedia
Dante between Beatrice on the left, and Mathelda, on the right. Detail from the Stained glass window with scenes from Dante, 1851, Giuseppe Bertini (1825-1898)
Pinacoteca, rooms 2 and 3, exhibition included in the admission ticket to the museum
Recovery of the functionality of the balconies of the Sala Federiciana, Borromeo and della Rosa through the installation of lifelines
Guided tour of the masterpieces of the Pinacoteca, together with professional guides of our official partner AdArtem
