Traditionally attributed to Giovanni Ambrogio Figino, this portrait of Saint Charles is in any case the work of a Lombard artist. It was made in the late sixteenth or early seventeenth century and reflects the devotional zeal which sprang up around the great Archbishop of Milan, and which culminated in his canonisation in 1610. Federico Borromeo referred to this portrait as the best that had ever been painted of Saint Charles.
We inform the kind visitors of the Pinacoteca and scholars attending the Library's reading room that the Ambrosiana will be closed to the public from December 4 to 7 included.
The lectures will be grouped into three "knots":"Memory and Christianity, from Augustine to the Modern Age", "Memory in performative and missionary practices" and "Practices of Memory and Mission: from Europe to the Overseas Worlds".
The new Ambrosiana Digital Library was created with the aim of enhancing the main funds (inf., Sup., S.P. and Trotti) through digitization and public and free dissemination via the Internet.
The series of lectures Dante and Europe in the nineteenth century investigates the fortune of the Poet among leading figures of nineteenth-century European culture.
