Traditionally attributed to Giovanni Ambrogio Figino, this portrait of Saint Charles is in any case the work of a Lombard artist. It was made in the late sixteenth or early seventeenth century and reflects the devotional zeal which sprang up around the great Archbishop of Milan, and which culminated in his canonisation in 1610. Federico Borromeo referred to this portrait as the best that had ever been painted of Saint Charles.
The exhibition presents a selection of manuscripts decorated in the fourteenth century in Italy from the collections of the Ambrosiana Library.
An art installation consisting of twenty-one drawings for twenty-one refined jewels, corresponding to twenty-one characters from Raphael's cartoon. Curated by Alberto Rocca and Arnaldo Colasanti.
From July 1: Monday to Sunday 10.00-18.00, Closed on Wednesday
