Ambrosiana

Info

Veneranda Biblioteca Ambrosiana
Piazza Pio XI, 2
20123 Milan
Italy

HOURS

PINACOTECA AMBROSIANA
From Tuesday to Sunday
10.00 a.m. – 6.00 p.m. (last entrance 5.30 p.m.; however, the visit requires a minimum of 90 minutes)
Closed on: Monday, December 25th, January 1st, Easter Day
Open on Monday January 6, 2020 (Epiphany) and on Easter Monday

BIBLIOTECA AMBROSIANA
The reading room is open Monday to Friday from 9.00 a.m. to 5.00 p.m.

Books and manuscripts distribution from 9.00 a.m. to 12.00 a.m. and from 2.00 p.m. to 4.00 p.m.

Closing days:
• on National holidays;
• on the 7th December, feast of Saint Ambrose, patron of the city of Milan
• from the 23rd December to the 6th January included
• from April 19 to 26 2019 included
• during summer holidays (calendar to be set every year)
• in other days set by the specific calendar

Notice to Thesis supervisors, PhD students and researchers:

We invite Thesis supervisors, Ph.D. and Specialization Schools Lecturers to contact the Library Director (e-mail: direzione.biblioteca@ambrosiana.it), before assigning or taking on researches that require the consultation of materials included in this list (see Rules, Art. 4, § 3 >>>).
This precaution is necessary because of the state of some materials, which does not allow consultation.

For information concerning the materials that can be consulted, see the correlated page.

TICKETS

[BUY TICKET-INDIVIDUALS]

PINACOTECA AMBROSIANA
Prices and reductions
• Full price: € 15.00
• Reduced 1*: € 10.00 Under 18; Over 65; COOP Lombardia members; holders of card ChiarA2A; university students; MILANOCARD holders; ISIC card holders
• Reduced 2*: € 13.00 Touring Club Members; FAI Members; visitors with a full Duomo Pass or full Duomo Fast-track, by showing the ticket, ABBONAMENTO MUSEI Piemonte – Valle d’Aosta holders

CRYPT OF SAN SEPOLCRO
• Full: € 8,00
• Reduced: € 6,00* Under 18; Over 65; COOP Lombardia members; holders of card ChiarA2A; university students; MILANOCARD holders; ISIC card holders Touring Club Members; FAI Members; visitors with a full Duomo Pass or full Duomo Fast-track, by showing the ticket, ABBONAMENTO MUSEI Piemonte – Valle d’Aosta holders, ABBONAMENTO MUSEI Piemonte – Valle d’Aosta holders

AMBROSIANA + CRYPT OF SAN SEPOLCRO
• Full: € 20,00
• Reduced: € 15,00* Under 18; Over 65; COOP Lombardia members; holders of card ChiarA2A; university students; MILANOCARD holders; ISIC card holders Touring Club Members; FAI Members; visitors with a full Duomo Pass or full Duomo Fast-track, by showing the ticket, ABBONAMENTO MUSEI Piemonte – Valle d’Aosta holders

In case of reservation an advance sale fee of € 1.50 per ticket will be applied

Free entry*
• Children under the age of 14 accompanied by a paying adult (maximum 5 children per adult).
• Authorised guides with registration card and teachers accompanying school groups (1 for every 10 students).
• Accredited journalists, specifying the reason for the visit (email: contatti@ambrosiana.it ).
• ICOM members
• Possessors of ABBONAMENTO MUSEI LOMBARDIA (only for Pinacoteca Ambrosiana, on presentation of the subscription card together with ID)
• There also exist special permits, for professional reasons and with the approval of the administration for: superintendents of the fine arts, public officials and scholars-researchers.
For further information: contatti@ambrosiana.it

* Membership of the respective categories must be proved by a document/card currently valid.

Audioguide
€ 3.00 Ita / Eng

Groups and guided tours
Reservations required for groups with at least 15 participants (each group maximum 25 people)

tel: +39 0292897721
email: ambrosiana@vivaticket.it
Mon-Fri 10.00 a.m.-6.00 p.m., excluding holidays

GROUP FARES

AMBROSIANA
ADULTS € 10.00 + € 1.50 ADVANCE SALES
SCHOOLS € 4.00 + € 1.00 ADVANCE SALES

CRYPT OF SAN SEPOLCRO
ADULTS € 10.00 + € 1.50 ADVANCE SALES
SCHOOLS € 2.50 + € 1.00 ADVANCE SALES

AMBROSIANA + CRYPT OF SAN SEPOLCRO
ADULTS € 15 + € 1.50 ADVANCE SALES
SCHOOLS € 6.50 + € 1.00 ADVANCE SALES

NURSERY SCHOOL GROUPS (UP TO 5 YEARS OLD): FREE

[MORE INFORMATION ON OUR OFFERS FOR GUIDED TOURS AND EDUCATIONAL ACTIVITIES]

DIRECTIONS

Veneranda Biblioteca Ambrosiana
Piazza Pio XI, 2
20123 Milan
Italy

Metro (subway)
M1 stop Cordusio or Duomo
M3 stop Duomo

Tram
Linea 12-14-16 fermata Orefici/Cantù
Linea 2-3 stop Duomo

LIBRARY RULES

Founded by Cardinal Federico Borromeo and inaugurated in 1609, the Veneranda Biblioteca Ambrosiana is administered by the College of Fellows (Collegio dei Dottori), presided over by the Prefect.
The ordinary administration of the services is coordinated by the Head Librarian, who reports to the Director of the Library.
Assistance to scholars in the Reading Room is guaranteed by the library staff, as far as they are competent, and by the presence of a Fellow with the title of Head Librarian.

Notice to Thesis Supervisors, PhD candidates and graduates working on theses:
Thesis Supervisors, PhD candidates and graduates working on theses are requested to contact the Library Administration (e-mail: direzione.biblioteca@ambrosiana.it), before assigning research topics that entail consultation of the materials in the reserve collections, subject to Special Rules for the consultation of manuscripts and incunabula (see Library Rules, Art. 4, §3).
This precaution is necessary because of the state of some materials, which precludes consultation. For information concerning the materials that can be consulted, see the relevant page.
 
ART. 1 – OPENING TIMES
§ 1.The Biblioteca Ambrosiana is open from Monday to Friday from 9 a.m. to 5 p.m.
§2. It is closed: on public holidays; on the feast of St. Ambrose, patron saint of Milan (December 7); from 24 December to 6 January; from Thursday in Easter Week to the Sunday after Easter; during the summer holidays (as scheduled from year to year) and on other days shown on the calendar.
 
ART 2. – ADMISSIONS
§1. Access to the Library, after authorization and registration, is open to anyone 18 and older. Users are requested to wear attire suitable to the decorum of the institution.
§2. Access is subject to authorization by the Head Librarian, who will assess the applicant’s need to consult the Library holdings. Where necessary, a letter of presentation will be required.
§3. On entering and leaving the Library, users must fill in the register.
§4. On entry to the Reading Room, users must show their pass to library staff.
§5.The membership pass lasts one year and is of two types: ordinary (for consulting printed matter from 1901 only) and special (for all other printed materials and manuscripts).
 
ART. 3 – CONSULTATION
§ 1.Pass holders are allowed direct access the printed materials in the Reading Room. Those who have to use the steps to reach books, should apply to the library staff. After consultation, volumes must be left on the tables, without replacing them on the shelves.
§2. Applications to consult other printed matter, incunabula, manuscripts and archival documents should be made to the library staff using the forms in the Reading Room.
§3. Each user may submit a maximum of four requests daily.
§4.The staff distribute the material requested from 9 a.m. to 12 noon and from 2 p.m. to 4 p.m. The material must be returned by 4.45 p.m. All users must leave the reading room by 4.50 p.m.
§5.Those who wish to continue to consult the material on the following day, should tell the library staff. If the applicant fails to appear the following day, the material will be put away and a new application should be made.
 
ART. 4 – MANUSCRIPTS AND RARE BOOKS
§1. When material of this type is provided for consultation, the library staff will request the user’s ID, to be held until the material is returned.
§2. If the material being consulted is a manuscript or other fragile or valuable document, the use of white cotton gloves is required, which can be purchased at the library distribution counter.
§3. Some printed matter, incunabula, manuscripts and archival documents are available with reserve. The scholar who wishes to consult such material must submit a written application to the Library administration in justification.
§4. To consult drawings a reservation is required: this can be made by e-mail at booking.disegni@ambrosiana.it .
 
ART. 5 – MATERIALS PERMITTED IN THE READING ROOM
§1. Users may not enter the Reading Room with overcoats, cloaks, bags of any kind, umbrellas, beverages, foodstuffs or any other objects not necessary for reading. Only paper and writing materials are allowed.
§2. Complete silence must be observed in the Reading Room.
§3. Users may bring and use laptops.
§4. Mobile phones must be in silent mode and must not be left on the work desks. It is strictly prohibited to make or answer phone calls or use any other audio function.
§5. For the use of other instruments (Wood lamp, microfilm/microfiche reader, etc.) please contact library staff.
 
ART. 6 – REPRODUCTIONS
§1. It is forbidden to use one’s own equipment to take photos of printed works, incunabula, manuscripts, drawings or any other kind of material being consulted.
§ 2. Applications for reproductions must be submitted online by filling the image request form (click here)
§3. Photocopying of manuscript and printed material prior to 1950 is prohibited. For photocopies of printed material after 1950, please contact the staff.
§ 4. The Library Administration has the right to prohibit reproduction in any form of any material that might be damaged in the reproduction process.
 
ART. 7 – STUDIES OF MATERIALS IN THE LIBRARY
§1. Normally, scholars present the Library with publications concerning the materials studied. Except for cases agreed on with the Administration, the consultation of degree theses delivered to the library is understood to be allowed.
 
ART. 8 – SINGLE DISCIPLINARY RULE
The Veneranda Biblioteca Ambrosiana may suspend or prevent the renewal of the registration pass of any persons who, by their behaviour, have damaged the library material or caused a disturbance to the normal functioning of the Library itself.

WHAT’S ON

The Ambrosiana doesn’t stop!

Ambrosiana

The Ambrosiana doesn't stop!

We look forward to welcoming you back to the pinacoteca and the library, but in the meantime ... let's keep company! #iorestoacasa #andràtuttobene #laculturanonsiferma #lambrosiananonsiferma

18/03/2020
NEWS

ONLINE COLLECTION

(158 online artworks)

Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Mary Magdalene, Tiziano Vecellio (1480-1576)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Laocoon (copy of the Vatican original), Leone Leoni
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Saint John the Baptist, Gian Giacomo Caprotti
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Self Portrait, Antonio Canova (1757-1822)
Latin astrolabe, Anonymous
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Plato, Giovanni Antonio Piatti (1447-1480)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Still Life with Fruit, Isaac Soreau (1604-1638)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
The School of Athens, Raffaello Sanzio (1483-1520)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
Flowers and Roses, Gaetano Previati (1852-1920)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Figured casket, Scultore lombardo
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Susanna at her Bath, Carlo Francesco Nuvolone (1608-1662)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
The Damned Soul, Anonimo lombardo (XVII secolo)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Maternity, Mosè Bianchi (1840-1904)
Napoleon Bonaparte’s gloves, NA
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
The Holy Family, Carlo Francesco Nuvolone (1608-1662)
Pietà (copy from Michelangelo), Leone Leoni
llias picta, NA
Male portrait, Hans Muelich (1516-1573)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
The Ambrosian Virgil of Francesco Petrarca, NA
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Dantesque window, Giuseppe Bertini (1825-1898)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Noctes Atticae, Aulo Gellio
Christ Resurrected, Marco Basaiti (1470-1530)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Nautilus shell, Sconosciuto
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Seascape, Paul Bril (1554-1626)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Locked out of school, Emilio Longoni (1859-1932)
The Kiss, Francesco Hayez (1791-1882)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
Mary Magdalene Penitent, Guido Reni (1575-1642)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Portico in Ruins, Giovanni Migliara (1785-1837)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
Mercury and Argus, Anonimo genovese (XVII secolo)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Armillary sphere, Giannello Torriani
Man in Armour, Tiziano Vecellio (1480-1576)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Burse, Artista dell’Italia centrale
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Kids and Lambs, Francesco Londonio (1723-1783)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Still Life with Fruit, Isaac Soreau (1604-1638)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Washerwomen at the Canal, Emilio Gola (1851-1923)
The Adoration of the Magi, Pier Francesco Mazzucchelli detto il Morazzone (1571-1626)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Clock with astrolabe, Sconosciuto
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Two daggers with sheaths (eared sfondagiaco daggers), Armorari milanesi
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Orrery, Sconosciuto
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)