Probably dating from about 1640, these two panels were painted by Jan Brueghel the Younger, the son of Jan Brueghel the Elder. The fact that they are exactly the same size suggests that they were part of a single work, together with other paintings, all based on the first chapters of the Book of Genesis. In terms of subject and composition, the general format is clearly derived from his father’s works, even though the quality is considerably lower, as can be seen, for example, in the ungainly, impossible position of Eve in the scene of the original sin.
We inform our the kind visitors of the Pinacoteca and scholars attending the Library's reading room that the Ambrosiana will be closed to the public from December 4 to 7 included.
The lectures will be grouped into three "knots":"Memory and Christianity, from Augustine to the Modern Age", "Memory in performative and missionary practices" and "Practices of Memory and Mission: from Europe to the Overseas Worlds".
The new Ambrosiana Digital Library was created with the aim of enhancing the main funds (inf., Sup., S.P. and Trotti) through digitization and public and free dissemination via the Internet.
The series of lectures Dante and Europe in the nineteenth century investigates the fortune of the Poet among leading figures of nineteenth-century European culture.
