On 26 May 1805, Napoleon was crowned King of Italy in the Duomo in Milan and, as such, he was portrayed by Andrea Appiani. The three-quarter-length portrait, which can now be seen in the Kunsthistorisches Museum in Vienna, was the model for the Ambrosiana work, which experts suggest was made between 1806 and 1808. Despite the solemnity and official air created by the sumptuous insignia of the Kingdom of Italy, the naturalism and immediacy of the face are particularly remarkable.
We inform the kind visitors of the Pinacoteca and scholars attending the Library's reading room that the Ambrosiana will be closed to the public from December 4 to 7 included.
The lectures will be grouped into three "knots":"Memory and Christianity, from Augustine to the Modern Age", "Memory in performative and missionary practices" and "Practices of Memory and Mission: from Europe to the Overseas Worlds".
The new Ambrosiana Digital Library was created with the aim of enhancing the main funds (inf., Sup., S.P. and Trotti) through digitization and public and free dissemination via the Internet.
The series of lectures Dante and Europe in the nineteenth century investigates the fortune of the Poet among leading figures of nineteenth-century European culture.
