This work shows us the “mannish Jael” (maschia Giaele) as Manzoni referred to her, just as she breaks Sisera’s skull with the tent nail, as we read in the Book of Judges. We know nothing of the provenance of this painting, nor are there any documents that tell us when it came to the Ambrosiana. The work has been attributed to Giuseppe Vermiglio; it contains some Caravaggesque elements and appears to have been inspired by the same subject painted by Artemisia Gentileschi and now in Budapest.
An itinerary through the treasures of the Biblioteca Ambrosiana curated by Federico Gallo and Stefano Martinelli Tempesta | Pinacoteca, rooms 2 and 3
From April 15, on the occasion of Design Week, the rooms of the Pinacoteca Ambrosiana will host 'Moleskine Detour', an international exhibition promoted by Moleskine and the Moleskine Foundation.
Recovery of the functionality of the balconies of the Sala Federiciana, Borromeo and della Rosa through the installation of lifelines
Every Saturday at 15.30 a guided tour of the masterpieces of the Pinacoteca, together with professional guides of our official partner AdArtem
