The figure of Saint Mary Magdalene was very dear to the Cardinal as an image of sincere penitence and true love of Christ. According to the classic tradition, a good rendering of Mary Magdalene was to contain three elements: the aesthetic, in the form of female beauty, the penitential, generally with a stark landscape, and the ecstatic. This painting, which is derived from the Mary Magdalene of the Palatine Gallery in Florence, is praised in the Musaeum for “the artist’s skill in maintaining proper modesty in such nudity”, and indeed the viewer’s eye is immediately attracted by the saint’s face enraptured in ecstasy. Recent cleaning of the canvas has more clearly revealed, to the left of Mary Magdalene, the jar of ointment, her iconographic emblem. More importantly, it has also uncovered the artist’s signature (Titianus fecit – “Titian made [it]”).
Annual international conference of the Society of Friends of Port-Royal is held, October 13-14 2023, Sala delle Accademie E.R. Galbiati.
An exhibition that aims at reconstructing the "considerable collection of books” belonging to Don Ferrante, which Alessandro Manzoni describes in the Promessi Sposi (The Bethroted).
The combo ticket Duomo + Ambrosiana is available in a new version which includes also the Ascent on foot to the Duomo terraces and access to the San Sepolcro Crypt.
Every Saturday at 15.30 a guided tour of the masterpieces of the Pinacoteca, together with professional guides of our official partner AdArtem
On Sunday October 1 and Monday October 2, free admission for all grandparents with their grandchildren
