Even though slightly different in size, the two works appear to have been planned together, and together they reached the Ambrosiana in 1893. The horizontal arrangement of the objects is almost identical: two pewter trays with beautiful fruit are accompanied by fruit, flowers and insects on the table top, which is painted with such precision as to render even the veining of the wood. The simple composition, together with the meticulous execution, help create a sense of abstraction and silence. The römer glass is a typically Flemish detail, which often appears in still lifes from the region.
On show until September 15, 2019, the exhibition deals with the Master's last years of activity, through a selection of 23 drawings from the Codex Atlanticus, dating from Leonardo's French stay, at the court of Francis I
The exhibition presents 12 + 1 precious works, dedicated to the Last Supper by Leonardo da Vinci, conceived by Giulio Manfredi, one of the most internationally appreciated creative talents.
