This portrait, which is signed and dated 1854, was commissioned by Morosini’s daughter (see inv. 1095) and shown at the Brera exhibition in 1859. The painter himself considered this as one of his most successful portraits, “both in likeness and workmanship”, and the elderly man, dressed in informal chamber attire, is indeed portrayed with great realism. Less sympathetic to the Risorgimento cause than his wife, Morosini handed over to the Austrian police the papers that the Polish patriot Tadeusz Kos´ciuszko (whose heart was kept as a relic by Zeltner) had left to Morosini Zeltner, in exchange for the promise of the title of Count, which was however never granted by the Austrian authorities.
Pinacoteca, rooms 2 and 3, exhibition included in the admission ticket to the museum
Recovery of the functionality of the balconies of the Sala Federiciana, Borromeo and della Rosa through the installation of lifelines
Guided tour of the masterpieces of the Pinacoteca, together with professional guides of our official partner AdArtem
