This portrait, which is signed and dated 1854, was commissioned by Morosini’s daughter (see inv. 1095) and shown at the Brera exhibition in 1859. The painter himself considered this as one of his most successful portraits, “both in likeness and workmanship”, and the elderly man, dressed in informal chamber attire, is indeed portrayed with great realism. Less sympathetic to the Risorgimento cause than his wife, Morosini handed over to the Austrian police the papers that the Polish patriot Tadeusz Kos´ciuszko (whose heart was kept as a relic by Zeltner) had left to Morosini Zeltner, in exchange for the promise of the title of Count, which was however never granted by the Austrian authorities.
An exhibition that aims at reconstructing the "considerable collection of books” belonging to Don Ferrante, which Alessandro Manzoni describes in the Promessi Sposi (The Bethroted).
The combo ticket Duomo + Ambrosiana is available in a new version which includes also the Ascent on foot to the Duomo terraces and access to the San Sepolcro Crypt.
Every Saturday at 15.30 a guided tour of the masterpieces of the Pinacoteca, together with professional guides of our official partner AdArtem
Until June 13, 2023 the Crypt of San Sepolcro hosts the exhibition “Oliviero Rainaldi. 2023 AD”, an exhibition that traces the life of Christ in five episodes, birth, infancy, martyrdom, death and resurrection.
