Ambrosiana
NOVEMBER 3: SPECIAL EVENING OPENING
Access to the Pinacoteca and Crypt from 18.00 to 19.30 with a special ticket € 3.00
03/11/2024-03/11/2024
The Accademia Ambrosiana comprises eight classes of studies.
Their task is to offer a significant contribution to the city and the world of research, by securing intercultural
exchanges that can effectively create the common good in keeping with the Federician motto: Dei gloria et
communi utilitate.
The Accademia Ambrosiana comprises eight classes of studies.
Their task is to offer a significant contribution to the city and the world of research, by securing intercultural
exchanges that can effectively create the common good in keeping with the Federician motto: Dei gloria et
communi utilitate.
Access to the Pinacoteca and Crypt from 18.00 to 19.30 with a special ticket € 3.00
Pinacoteca, rooms 2 and 3, exhibition included in the admission ticket to the museum
Recovery of the functionality of the balconies of the Sala Federiciana, Borromeo and della Rosa through the installation of lifelines
Guided tour of the masterpieces of the Pinacoteca, together with professional guides of our official partner AdArtem
The most magical and ancient places of Milan: the ancient Forum where Constantine, St. Ambrose, St. Augustine and Theodosius walked, and the lower Church of Santo Sepolcro, built by the Crusaders… as well as a colossal statue of St. Charles Borromeo on Lake Maggiore; a Museum-Home at the Sacro Monte of Varese; a Foundation dedicated to the promotion of young artists: this is also the Ambrosiana!
Discover the other institutions of the Ambrosiana
The Marco Mantovani Foundation seeks to preserve and enhance the works of the sculptor Marco Mantovani, as evidence of the life of an artist dedicated to sculpture and art.
The church of San Sepolcro was founded in 1030, when a Milanese moneyer named Rozzone built a church on the ancient Roman forum. Archbishop Ariberto d’Intimiano solemnly consecrated it to the Holy Trinity.
Lodovico Pogliaghi was one of the most significant Lombard artists to live in the nineteenth and twentieth centuries.
The Colossus of Saint Charles in Arona, which popular tradition has affectionately dubbed San Carlone, was created in the seventeenth century at the behest of Federico Borromeo, archbishop of Milan and founder of the Biblioteca Ambrosiana.
Between 1990 and 1992, archaeological excavations conducted underneath the ancient cellars of the Ambrosiana brought to light a portion of the pavement of the ancient Roman forum, the heart of Mediolanum's political, economic and religious life.
