The Accademia Ambrosiana comprises eight classes of studies.
Their task is to offer a significant contribution to the city and the world of research, by securing intercultural
exchanges that can effectively create the common good in keeping with the Federician motto: Dei gloria et
communi utilitate.
The Accademia Ambrosiana comprises eight classes of studies.
Their task is to offer a significant contribution to the city and the world of research, by securing intercultural
exchanges that can effectively create the common good in keeping with the Federician motto: Dei gloria et
communi utilitate.
On show until September 15, 2019, the exhibition deals with the Master's last years of activity, through a selection of 23 drawings from the Codex Atlanticus, dating from Leonardo's French stay, at the court of Francis I
The exhibition presents 12 + 1 precious works, dedicated to the Last Supper by Leonardo da Vinci, conceived by Giulio Manfredi, one of the most internationally appreciated creative talents.
The most magical and ancient places of Milan: the ancient Forum where Constantine, St. Ambrose, St. Augustine and Theodosius walked, and the lower Church of Santo Sepolcro, built by the Crusaders… as well as a colossal statue of St. Charles Borromeo on Lake Maggiore; a Museum-Home at the Sacro Monte of Varese; a Foundation dedicated to the promotion of young artists: this is also the Ambrosiana!
Discover the other institutions of the Ambrosiana
Between 1990 and 1992, archaeological excavations conducted underneath the ancient cellars of the Ambrosiana brought to light a portion of the pavement of the ancient Roman forum, the heart of Mediolanum's political, economic and religious life.
The Marco Mantovani Foundation seeks to preserve and enhance the works of the sculptor Marco Mantovani, as evidence of the life of an artist dedicated to sculpture and art.
Lodovico Pogliaghi was one of the most significant Lombard artists to live in the nineteenth and twentieth centuries.
The church of San Sepolcro was founded in 1030, when a Milanese moneyer named Rozzone built a church on the ancient Roman forum. Archbishop Ariberto d’Intimiano solemnly consecrated it to the Holy Trinity.
The Colossus of Saint Charles in Arona, which popular tradition has affectionately dubbed San Carlone, was created in the seventeenth century at the behest of Federico Borromeo, archbishop of Milan and founder of the Biblioteca Ambrosiana.
