Ambrosiana

Who we are

The Veneranda Biblioteca Ambrosiana was founded on 7 September 1607 by Cardinal Federico Borromeo. His was the original idea, consisting in the promotion of human and Christian values ​​through science and culture in the service of the Catholic Church.
Starting from this inspiration, the Ambrosiana’s purposes are the training of the clergy, religious and laity, as well as spreading Christian culture and interreligious and intercultural dialogue, pursued in particular through the preservation, custody and enhancement of its Cultural Heritage (manuscripts, printed works, artworks, etc.).

Portrait of Giuseppina Negroni
Prati Morosini

Francesco Hayez
1853
oil on canvas
120 × 94 cm
(detail)

Who we are

The Veneranda Biblioteca Ambrosiana was founded on 7 September 1607 by Cardinal Federico Borromeo. His was the original idea, consisting in the promotion of human and Christian values ​​through science and culture in the service of the Catholic Church.
Starting from this inspiration, the Ambrosiana’s purposes are the training of the clergy, religious and laity, as well as spreading Christian culture and interreligious and intercultural dialogue, pursued in particular through the preservation, custody and enhancement of its Cultural Heritage (manuscripts, printed works, artworks, etc.).

OUR MISSION

MORE THAN 400 YEARS SPENT PURSUING A TASK THAT IS STILL RELEVANT

OUR MISSION

“Promoting the love of the True and Beautiful for the good of the people, the Church and society.” The words of the Archbishop of Milan, who is the Patron of the Ambrosiana and ultimately responsible for it, express the task of this ancient institution, embodied in the cultural and social context of our own time.

Read more

PINACOTECA

The Pinacoteca Ambrosiana was established in April 1618, when Cardinal Federico Borromeo donated his collection of paintings…

Read more

BIBLIOTECA

The Ambrosian Library, founded on 1607, was one of the earliest libraries to grant access to all who could read and write…

Read more

ACCADEMIA

The purpose of the Accademia is to raise the Ambrosiana to the level of an Agora, a place devoted to fostering the dialogue…

Read more

THE THREE SOULS OF THE AMBROSIANA

AMBROSIANA

A treasure chest containing a Library, an Art Gallery and an Academy: three complementary bodies aimed at promoting a love for literature, the arts, science and beauty.

Read more

NOT JUST A LIBRARY, ART GALLERY AND ACADEMY: THE AMBROSIANA IS SO MUCH MORE...

THE OTHER FACES OF THE AMBROSIANA

The most magical and ancient places of Milan: the ancient Forum where Constantine, St. Ambrose, St.
Augustine and Theodosius walked, and the lower Church of Santo Sepolcro, built by the Crusaders… as
well as a colossal statue of St. Charles Borromeo on Lake Maggiore; a Museum-Home at the Sacro
Monte of Varese; a Foundation dedicated to the promotion of young artists: this is also the Ambrosiana!

Read more

LODOVICO POGLIAGHI MUSEUM-HOME

Lodovico Pogliaghi (1857-1950) was one of the most significant Lombard artists to live in the nineteenth and twentieth centuries.

Read more

SAN SEPOLCRO

The church of San Sepolcro was founded in 1030, when a Milanese moneyer named Rozzone built a church on the ancient Roman forum.

Read more

THE COLOSSUS OF SAINT CHARLES IN ARONA

The Colossus of Saint Charles in Arona, which popular tradition has affectionately dubbed San Carlone, was created in the seventeenth century…

Read more

MARCO MANTOVANI FOUNDATION

The Marco Mantovani Foundation seeks to preserve and enhance the works of the sculptor Marco Mantovani, as evidence of the life of an artist dedicated to sculpture and art.

Read more

ROMAN FORUM

Between 1990 and 1992, archaeological excavations conducted underneath the ancient cellars of the Ambrosiana brought to light a portion of the pavement of the ancient Roman forum.

Read more
THE COLLEGE OF FELLOWS

PRIESTS DEVOTED TO STUDY, RESEARCH AND RECEPTION

THE COLLEGE OF FELLOWS

The brilliant intuition of Federico Borromeo – offering the Milanese a place dedicated to the growth of the person in the love of truth and the experience of beauty, drew from the start on the work of valid and enthusiastic collaborators. This led to the foundation of the Collegio dei Dottori (College of Fellows). Since 1607 it has guided the development of the Ambrosiana and preserved its existence and its inspirational values, giving a face, mind and heart to a place intended for an encounter between cultures and the people who embody them.

Read more

HOW THE AMBROSIANA WORKS

ADMINISTRATIVE ORGANS

Federico Borromeo’s intuition underlies the division of tasks between the two governing bodies of the Ambrosiana: the cultural role of the College of Fellows is supported by the Congregation of Conservators, appointed to ensure the stability of its holdings and the Ambrosiana’s administrative life.

Read more
ADMINISTRATIVE ORGANS

WHAT’S ON

The Ambrosiana doesn’t stop!

Ambrosiana

The Ambrosiana doesn't stop!

We look forward to welcoming you back to the pinacoteca and the library, but in the meantime ... let's keep company! #iorestoacasa #andràtuttobene #laculturanonsiferma #lambrosiananonsiferma

18/03/2020
NEWS

ONLINE COLLECTION

(158 online artworks)

Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Dantesque window, Giuseppe Bertini (1825-1898)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Still Life with Fruit, Isaac Soreau (1604-1638)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Washerwomen at the Canal, Emilio Gola (1851-1923)
Burse, Artista dell’Italia centrale
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
Still Life with Fruit, Isaac Soreau (1604-1638)
Locked out of school, Emilio Longoni (1859-1932)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Two daggers with sheaths (eared sfondagiaco daggers), Armorari milanesi
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Mercury and Argus, Anonimo genovese (XVII secolo)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Orrery, Sconosciuto
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Figured casket, Scultore lombardo
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Male portrait, Hans Muelich (1516-1573)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Napoleon Bonaparte’s gloves, NA
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Man in Armour, Tiziano Vecellio (1480-1576)
The Ambrosian Virgil of Francesco Petrarca, NA
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
The Kiss, Francesco Hayez (1791-1882)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Nautilus shell, Sconosciuto
Mary Magdalene Penitent, Guido Reni (1575-1642)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Kids and Lambs, Francesco Londonio (1723-1783)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Christ Resurrected, Marco Basaiti (1470-1530)
Plato, Giovanni Antonio Piatti (1447-1480)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Maternity, Mosè Bianchi (1840-1904)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Pietà (copy from Michelangelo), Leone Leoni
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
The Holy Family, Carlo Francesco Nuvolone (1608-1662)
Laocoon (copy of the Vatican original), Leone Leoni
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Clock with astrolabe, Sconosciuto
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Mary Magdalene, Tiziano Vecellio (1480-1576)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Noctes Atticae, Aulo Gellio
Saint John the Baptist, Gian Giacomo Caprotti
The Damned Soul, Anonimo lombardo (XVII secolo)
Self Portrait, Antonio Canova (1757-1822)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Latin astrolabe, Anonymous
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Flowers and Roses, Gaetano Previati (1852-1920)
Portico in Ruins, Giovanni Migliara (1785-1837)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Armillary sphere, Giannello Torriani
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
llias picta, NA
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Seascape, Paul Bril (1554-1626)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
The School of Athens, Raffaello Sanzio (1483-1520)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Pier Francesco Mazzucchelli detto il Morazzone (1571-1626)
Susanna at her Bath, Carlo Francesco Nuvolone (1608-1662)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)