Ambrosiana

Envisioning and representing Africa

Each of the remarkably diverse traditions that compose the complex mosaic of African cultures has elaborated, over the centuries, its own forms, spaces and modalities of self-representation, written and unwritten.

In this regard, taking as its theme autobiography in tandem with biography, the V Dies Academicus of the Ambrosian Academy’s Classis Africana aims to explore self-writing in its myriad forms and modalities, from memoir, confession, journal, travel writing, letters and diary to semi-autobiographical fiction, interviews, visual arts and fashion.

Self-writing allows subjects to relate and, above all, to invent themselves across diverse circumstances and life experiences. Biography, which may come to us also via a range of media–oral narrative, written texts, documentary film, graphic and musical arts–brings into play multiple perspectives on its subject, developed retrospectively and perhaps from a distance, adumbrating and contextualizing more deliberately and sometimes projecting its subject as the very emblem of an historical time and place.

What are the pleasures of autobiography and biography for readers? Who are their readers, listeners or spectators? Can we identify historical moments in which these forms have greater or lesser appeal as narratives of an individual life or as ethnographic accounts? Is either tendency better? Are readings of African autobiographies as “ethnographic” problematic? Taking into account formal properties, as well as the challenges and possibilities of diverse media and genres, the study of autobiography and biography allows us to traverse centuries, ethnicities, states, languages and cultures, enabling an understanding of the intimate relationship of varied geo-political and historical contexts and the arts of representation.

PROGRAM

Friday, 10th February 2023

4.30 pm New Academicians’ appointment and official opening of the Dies Academicus

5.00 pm
Session I – Autobiographies (Chair: Eileen Julien and Mena B. Lafkioui)

Tassadit Yacine (Ecole des hautes études en sciences sociales – Paris), Féminité, modes de résistances et subjectivité dans le monde kabyle (XIX-XXème siècle), en Algérie

Emanuele Marcello Ciampini (Università Ca’ Foscari – Venice), On the Egyptian (pharaonic) autobiographies as a literary genre

Emanuela Trevisan Semi (Università Ca’ Foscari – Venice), Letters as autobiography among the Beta Israel, the case of Taamrat Emmanuel and Tadesse Yacov, uncle and nephew in the resistance against Italian occupation. (online)

Saturday, 11th February 2023

9.30 am
Session II – Biographies (Chairs Mena B. Lafkioui)

Nafisa Valieva (Collège de France – Paris), Reading of the ‘Life of Lālibalā’ (Gadla Lālibalā) as a biography and a portrait of Ethiopian society

Annunziata Di Rienzo (Sapienza Università – Rome), “Perfect in all virtue”. Life and Encomium of John Colobos: monastic life and cultural crossroads at Sketis

Mohamed Meouak (Universidad de Cádiz), Résultats préliminaires d’une enquête sur les Wafayāt d’Aḥmad b. Yaḥyā al-Wanšarīsī (mort en 1508): un recueil de notices nécrologiques/biographiques contenant des matériaux anthroponymiques et toponymiques berbères

Mena B. Lafkioui (Ecole des hautes études en sciences sociales – Centre national de recherche scientifique – Paris), Abdelkrim. A never-ending biographical narrative of a unique Amazigh leader

2.45 pm
Session III – Film biography (Chairs Eileen Julien)

Introductiory remarks by Samba Gadjigo (Mt. Holyoke College, Massachusetts, USA, author of Ousmane Sembène: A Revolutionary Artist), and

Eileen Julien (Indiana University, USA) La noire de… (Black Girl) [1966], Screening

Sembène [2016], Screening

followed by: Q & A session

5.50 pm
Conclusion and greetings

Lectures of the two days will be in English, French and Italian

Free admission

WHAT’S ON

GUIDED TOUR THE MAGNIFICENT AMBROSIANA<BR>APRIL-JUNE 2023

Ambrosiana

GUIDED TOUR THE MAGNIFICENT AMBROSIANA
APRIL-JUNE 2023

Every Saturday at 15.30 a guided tour of the masterpieces of the Pinacoteca, together with professional guides of our official partner AdArtem

01/04/2023-24/06/2023
PINACOTECA AND SAN SEPOLCRO CRYPT: OPENING HOURS FOR THE UPCOMING HOLIDAYS

Ambrosiana

PINACOTECA E CRIPTA: OPENING HOURS FOR THE UPCOMING HOLIDAYS

Opening hours of the Pinacoteca Ambrosiana and of the San Sepolcro Crypt for the upcoming holidays

16/03/2023
NEWS
OLIVIERO RAINALDI: 2023 AD

Ambrosiana

OLIVIERO RAINALDI: 2023 AD

From April 6 to May 9 2023 the Crypt of San Sepolcro hosts the exhibition “Oliviero Rainaldi. 2023 AD”, an exhibition that traces the life of Christ in five episodes, birth, infancy, martyrdom, death and resurrection.

06/04/2023-09/05/2023
Exhibition
Mons. Marco Navoni is the new Prefect of the Biblioteca Ambrosiana

Ambrosiana

Mons. Marco Navoni is the new Prefect of the Biblioteca Ambrosiana

The Archbishop of Milan, His Excellency Mons. Mario Delpini, has appointed Msgr. Marco Maria Navoni Prefect of the College of Fellows of the Veneranda Biblioteca Ambrosiana with effect from 27 February 2023.

27/02/2023
NEWS
SECRET AMBROSIANA: CURIOSITIES FROM THE COLLECTIONS

Pinacoteca

SECRET AMBROSIANA: CURIOSITIES FROM THE COLLECTIONS

Rooms 2 and 3, the exhibition is the first in a series dedicated to showing us what is not normally displayed, for a wider enhancement of the Institution's heritage.

02/02/2023-02/05/2023
Exhibition
SAN SEPOLCRO CRYPT OPEN DURING WEEKENDS UNTIL APRIL 2

San Sepolcro

SAN SEPOLCRO CRYPT OPEN DURING WEEKENDS UNTIL APRIL 2

Crypt of San Sepolcro open until April 2 2023, every Saturday and Sunday from 11.00 to 17.30 | last access 17.00

14/01/2023-02/04/2023

ONLINE COLLECTION

(158 online artworks)

Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Orrery, Sconosciuto
Burse, Artista dell’Italia centrale
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Figured casket, Scultore lombardo
Still Life with Fruit, Isaac Soreau (1604-1638)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
The Ambrosian Virgil of Francesco Petrarca, NA
Self Portrait, Antonio Canova (1757-1822)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
Laocoon (copy of the Vatican original), Leone Leoni
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
Seascape, Paul Bril (1554-1626)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Maternity, Mosè Bianchi (1840-1904)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Plato, Giovanni Antonio Piatti (1447-1480)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
The School of Athens, Raffaello Sanzio (1483-1520)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
Pietà (copy from Michelangelo), Leone Leoni
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Male portrait, Hans Muelich (1516-1573)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Portico in Ruins, Giovanni Migliara (1785-1837)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Nautilus shell, Sconosciuto
Man in Armour, Tiziano Vecellio (1480-1576)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Flowers and Roses, Gaetano Previati (1852-1920)
llias picta, NA
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
The Damned Soul, Anonimo lombardo (XVII secolo)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Noctes Atticae, Aulo Gellio
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Mary Magdalene, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Washerwomen at the Canal, Emilio Gola (1851-1923)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Saint John the Baptist, Gian Giacomo Caprotti
The Adoration of the Magi, Andrea Schiavone (1510-1563)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Mercury and Argus, Anonimo genovese (XVII secolo)
Napoleon Bonaparte’s gloves, NA
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Kids and Lambs, Francesco Londonio (1723-1783)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Still Life with Fruit, Isaac Soreau (1604-1638)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Locked out of school, Emilio Longoni (1859-1932)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Armillary sphere, NA
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
The Blessed Soul, Anonimo lombardo (XVII secolo)
The Kiss, Francesco Hayez (1791-1882)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Dantesque window, Giuseppe Bertini (1825-1898)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
Clock with astrolabe, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Christ Resurrected, Marco Basaiti (1470-1530)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Latin astrolabe, Anonymous
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)