Ambrosiana

Church of San Sepolcro

The church of San Sepolcro was founded in 1030, when a Milanese moneyer named Rozzone built a church on the ancient Roman forum. Archbishop Ariberto d’Intimiano solemnly consecrated it to the Holy Trinity.

The upper church of San Sepolcro
Its thousand years of history is mingled with that of the Crusades. On 15 July 1100, after the reconquest of Jerusalem, the archbishop of Milan at the time, Anselmo IV da Bovisio, in memory of this extraordinary event, changed its dedication to the church of the Santo Sepolcro. This title was motivated by the presence in its subterranean level, ever since it was founded, of a copy of Christ’s sepulcher. Created by a master craftsman in the early 14th century, according to tradition, its interior contained soil brought by the Crusaders from Jerusalem and other relics of the holy places.
In the second half of the 16th century, the church was chosen by Saint Charles Borromeo as a privileged place of prayer. He undertook a complex renovation of the place of worship, which involved the construction of an urban sacro monte, consisting of 24 chapels devoted to scenes of the Passion.The project, from various causes, was never finished, though some groups were actually completed and can still be seen in the upper church: Jesus washing of the feet of the disciples, Jesus before Caiaphas, the Flagellation and the denial of Peter.
In the following centuries the church underwent various phases of renovation and restoration, which significantly altered its appearance. Even the façade was rebuilt at the end of the 19th century in Romanesque style considered more appropriate to the ancient medieval building.
In 1928, with the suppression of the parish of San Sepolcro, the church was annexed to the Biblioteca Ambrosiana, which still administers it.
Between 2008 and 2011 the complex of the upper church was the subject of an important restoration project by the Superintendency for the architectural and landscape heritage of Lombardy and directed by Pinin Brambilla Barcilon. This shed light on the complex historical and artistic events of which this place, described by Leonardo da Vinci as the “true center of Milan”, has been the protagonist for centuries.
 
 

 
 
The crypt of San Sepolcro
ATTENTION: THE CRYPT OF SAN SEPOLCRO REMAINS CLOSED UNTIL FURTHER NOTICE.
A profoundly sacred place, the crypt was chosen by St. Charles Borromeo as a personal place of prayer, to which he went every Wednesday and Friday afternoon. It was not uncommon to see him spend whole nights in what he himself called the “gymnasium of the Holy Spirit”, in adoration of the model of the tomb of Christ. For this reason, after his canonisation, a polychrome terracotta statue was placed here depicting the saint kneeling before the sarcophagus. The crypt also enables visitors view one of the most ancient remains of the city’s history. The paving, consisting of large slabs of white ‘Verona’ stone, comes in fact from the pavement of the ancient Roman forum dating from the 4th century, the main public space of the Roman civitas, where all the principal civil and religious activities were held.
The crypt reopened to the public after 50 years in 2016 and, thanks to the MIBAC, in 2018-2019 further restoration works were carried out, recovering the decorated surfaces and renewing the technical installations. On July 22 2019, it opened again to the public.
 
 

INFO

CHURCH OF SAN SEPOLCRO
Piazza San Sepolcro
Milan, Italy

UPPER CHURCH
The upper church of San Sepolcro
is open for worship and visitors
at the following times:
Mon – Fri, 10.00 a.m. – 5.00 p.m.

Celebration of Holy Mass:
Mon-Fri, 12.45 a.m.

CRYPT
ATTENTION: THE CRYPT OF SAN SEPOLCRO REMAINS CLOSED UNTIL FURTHER NOTICE.

WHEN
STARTING FROM JANUARY 31
Tue – Fri, from 12.00 to 18.00
Saturday, Sunday and festive days from 10.00 to 18.00
Closed on December 25, January 1, Easter Day
Open on Easter Monday
Last Admission 17.30

TICKETS
[BUY TICKETS – INDIVIDUALS]

CRYPT ONLY
• Full: € 8,00
• Reduced: € 6,00*

CRYPT + AMBROSIANA
• Full: € 20,00
• Reduced: € 15,00*

In case of reservation an advance sale fee of € 1.50 per ticket will be applied

[*Under 18; Over 65; COOP Lombardia members; holders of card ChiarA2A; university students; MILANOCARD holders; ISIC card holders; Touring Club Members; FAI Members; visitors with a full Duomo Pass or full Duomo Fast-track, by showing the ticket]

Free Admission (Membership of the respective categories must be proved by a document/card currently valid.)
• Children under the age of 14 accompanied by a paying adult (maximum 5 children per adult).
• Authorised guides with registration card and teachers accompanying school groups (1 for every 10 students).
• Accredited journalists, specifying the reason for the visit (email: contatti@ambrosiana.it ).
• ICOM members
• There also exist special permits, for professional reasons and with the approval of the administration for: superintendents of the fine arts, public officials and scholars-researchers.
For further information: contatti@ambrosiana.it

GROUPS AND GUIDED TOURS
Groups and guided tours
tel: +39 0292897721
email: ambrosiana@vivaticket.it
Mon-Fri 10.00 a.m.-6.00 p.m., excluding holidays

GROUPS CRYPT ONLY
ADULTS € 6 + 1,50 advance sale
SCHOOLS € 2,50 + 1,00 advance sale

GROUPS CRYPT + AMBROSIANA
ADULTS € 15 + 1,50 advance sale
SCHOOLS € 6,50 + 1,00 advance sale

NURSERY SCHOOL GROUPS (UP TO 5 YEARS OLD): FREE

Church of San Sepolcro

INFO UTILI

CHURCH OF SAN SEPOLCRO
Piazza San Sepolcro
Milan, Italy

UPPER CHURCH
The upper church of San Sepolcro
is open for worship and visitors
at the following times:
Mon – Fri, 10.00 a.m. – 5.00 p.m.

Celebration of Holy Mass:
Mon-Fri, 12.45 a.m.

CRYPT
ATTENTION: THE CRYPT OF SAN SEPOLCRO REMAINS CLOSED UNTIL FURTHER NOTICE.

WHEN
STARTING FROM JANUARY 31
Tue – Fri, from 12.00 to 18.00
Saturday, Sunday and festive days from 10.00 to 18.00
Closed on December 25, January 1, Easter Day
Open on Easter Monday
Last Admission 17.30

TICKETS
[BUY TICKETS – INDIVIDUALS]

CRYPT ONLY
• Full: € 8,00
• Reduced: € 6,00*

CRYPT + AMBROSIANA
• Full: € 20,00
• Reduced: € 15,00*

In case of reservation an advance sale fee of € 1.50 per ticket will be applied

[*Under 18; Over 65; COOP Lombardia members; holders of card ChiarA2A; university students; MILANOCARD holders; ISIC card holders; Touring Club Members; FAI Members; visitors with a full Duomo Pass or full Duomo Fast-track, by showing the ticket]

Free Admission (Membership of the respective categories must be proved by a document/card currently valid.)
• Children under the age of 14 accompanied by a paying adult (maximum 5 children per adult).
• Authorised guides with registration card and teachers accompanying school groups (1 for every 10 students).
• Accredited journalists, specifying the reason for the visit (email: contatti@ambrosiana.it ).
• ICOM members
• There also exist special permits, for professional reasons and with the approval of the administration for: superintendents of the fine arts, public officials and scholars-researchers.
For further information: contatti@ambrosiana.it

GROUPS AND GUIDED TOURS
Groups and guided tours
tel: +39 0292897721
email: ambrosiana@vivaticket.it
Mon-Fri 10.00 a.m.-6.00 p.m., excluding holidays

GROUPS CRYPT ONLY
ADULTS € 6 + 1,50 advance sale
SCHOOLS € 2,50 + 1,00 advance sale

GROUPS CRYPT + AMBROSIANA
ADULTS € 15 + 1,50 advance sale
SCHOOLS € 6,50 + 1,00 advance sale

NURSERY SCHOOL GROUPS (UP TO 5 YEARS OLD): FREE

WHAT’S ON

JANUARY 2021: READING ROOM OPENING HOURS

Ambrosiana

JANUARY 2021: READING ROOM OPENING HOURS

Opening hours and access procedures for January

21/12/2020
NEWS
PINACOTECA AMBROSIANA CLOSED UNTIL JANUARY 15, 2021

Pinacoteca

PINACOTECA AMBROSIANA CLOSED UNTIL JANUARY 15, 2021

Following the latest government provisions, the Pinacoteca Ambrosiana will be closed until January 15, 2021

04/12/2020
NEWS

ONLINE COLLECTION

(158 online artworks)

Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Noctes Atticae, Aulo Gellio
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Figured casket, Scultore lombardo
The Kiss, Francesco Hayez (1791-1882)
Male portrait, Hans Muelich (1516-1573)
Napoleon Bonaparte’s gloves, NA
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Seascape, Paul Bril (1554-1626)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Nautilus shell, Sconosciuto
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Dantesque window, Giuseppe Bertini (1825-1898)
Still Life with Fruit, Isaac Soreau (1604-1638)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
The Adoration of the Magi, Pier Francesco Mazzucchelli detto il Morazzone (1571-1626)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Plato, Giovanni Antonio Piatti (1447-1480)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
Two daggers with sheaths (eared sfondagiaco daggers), Armorari milanesi
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Armillary sphere, Giannello Torriani
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Pietà (copy from Michelangelo), Leone Leoni
The Ambrosian Virgil of Francesco Petrarca, NA
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
The Damned Soul, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Portico in Ruins, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Laocoon (copy of the Vatican original), Leone Leoni
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
llias picta, NA
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Saint John the Baptist, Gian Giacomo Caprotti
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Susanna at her Bath, Carlo Francesco Nuvolone (1608-1662)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Flowers and Roses, Gaetano Previati (1852-1920)
The Holy Family, Carlo Francesco Nuvolone (1608-1662)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Still Life with Fruit, Isaac Soreau (1604-1638)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Self Portrait, Antonio Canova (1757-1822)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Mary Magdalene, Tiziano Vecellio (1480-1576)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Orrery, Sconosciuto
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
Kids and Lambs, Francesco Londonio (1723-1783)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
The School of Athens, Raffaello Sanzio (1483-1520)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Locked out of school, Emilio Longoni (1859-1932)
Latin astrolabe, Anonymous
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
Clock with astrolabe, Sconosciuto
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Man in Armour, Tiziano Vecellio (1480-1576)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Washerwomen at the Canal, Emilio Gola (1851-1923)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Christ Resurrected, Marco Basaiti (1470-1530)
Mercury and Argus, Anonimo genovese (XVII secolo)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Maternity, Mosè Bianchi (1840-1904)
Burse, Artista dell’Italia centrale
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)