Ambrosiana

The Mysteries of the Codex Atlanticus. Leonardo at the Ambrosiana

To mark the celebrations for the 500th anniversary of Leonardo’s death, the Ambrosiana Library in Milan will showcase its holdings of Leonardo’s works, which are among the most important in the world, as well as of the artists in his circle, with four exhibitions with an outstanding scholarly profile.

The cycle, planned by the College of Fellows of the Ambrosiana Library and curated by the greatest experts on the Tuscan genius, is sponsored by the National Committee and the Territorial Committee for the celebrations of the 500th anniversary of the death of Leonardo da Vinci. The official partner of the Ambrosiana Library is the Fondazione Fiera Milano, which will actively collaborate in both the cycle of initiatives devoted to the Leonardo celebrations and the valorisation of Raphael’s preparatory cartoon for the fresco of the School of Athens in the Vatican.

On the left, Codice Atlantico (Codex Atlanticus), f. 139r, Uomini al lavoro, Leonardo da Vinci (1452-1519), 1480-1482 circa. Penna, inchiostro e carboncino nero, 196 × 255 mm
On the right, Codice Atlantico (Codex Atlanticus), f. 149r, Armi varie e balestra gigante
, Leonardo da Vinci (1452-1519), 1485-1492 circa. Penna, inchiostro, carboncino nero e acquerello, 413 × 277 mm

2019
THE YEAR OF LEONARDO DA VINCI

The Leonardo year at the Ambrosiana opens on 18 December 2018 with an exhibition in two parts, each lasting three months, which will present a total of 46 sheets, chosen from among the most famous and important of the Codex Atlanticus, the true Leonardo treasure at the Ambrosiana, retracing the career of the artist almost from beginning to end, from his early years in Florentine until his last years in France in the service of Francis I.

In particular, the exhibition on “The Secrets of the Codex Atlanticus. Leonardo at the Ambrosiana”, curated by the College of Fellows of the Ambrosiana Library, will focus on those sheets that preserve the most fascinating drawings that Leonardo created with the artistic genius that is universally recognised as his hallmark.

<p>Codice Atlantico (Codex Atlanticus), f. 1097r, <em>Naviglio di San Cristoforo</em>, Leonardo da Vinci (1452-1519), 1509. Penna, inchiostro e acquerello azzurro, 295 × 204 mm</p>

Codice Atlantico (Codex Atlanticus), f. 1097r, Naviglio di San Cristoforo, Leonardo da Vinci (1452-1519), 1509. Penna, inchiostro e acquerello azzurro, 295 × 204 mm

The first part of the exhibition – from 18 December 2018 to 17 March 2019 – opens with Leonardo’s drawings specifically related to the city of Milan. they include the famous plan of the city, with a bird’s eye view of the centre of Milan, a study for the Canal of San Cristoforo, the project for the equestrian monument in honour of Duke Francesco Sforza and studies for the dome of the cathedral. The exhibition continues with some perspective studies and designs of an architectural-military character, as well as some sheets with very fine drawings of weapons of war (crossbows, slings and mortars), studies for the construction of mechanical wings intended for stage productions and the famous project known as “Leonardo car”.

On the left, Codice Atlantico (Codex Atlanticus), f. 812r (+ particolare del f. 114r), L’automobile di Leonardo, Leonardo da Vinci (1452-1519), 1478 circa. Penna e inchiostro, 169 × 270 mm
On the right, Codice Atlantico (Codex Atlanticus), f. 72r, Cavallo del Monumento Sforza, Leonardo da Vinci (1452-1519), 1503-1504 circa. Punta di stilo, matita nera, penna e inchiostro, 487×340 mm

The second part – from 19 March to 16 June 2019 – will present some projects for siege engines, but will focus in particular on civil engineering studies: hydraulic devices, rope-making machines, machines for manufacturing textiles, for the production of mechanical instruments, tools such as punches and automatic spit-turning devices.

The Leonardian year at the Ambrosiana will then continue with the exhibition “Leonardo in France. Drawings in the Codex Atlanticus from the French period”, curated by Pietro C. Marani (18 June – 15 September 2019) and will end with the exhibition “Leonardo and his Legacy: Artists and Techniques” (17 September 2018 – 12 January 2020), curated by Benedetta Spadaccini and dedicated to the drawings made by Leonardo and the artists in his circle.

WHAT’S ON

The Ambrosiana doesn’t stop!

Ambrosiana

The Ambrosiana doesn't stop!

We look forward to welcoming you back to the pinacoteca and the library, but in the meantime ... let's keep company! #iorestoacasa #andràtuttobene #laculturanonsiferma #lambrosiananonsiferma

18/03/2020
NEWS

ONLINE COLLECTION

(158 online artworks)

The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Flowers and Roses, Gaetano Previati (1852-1920)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
llias picta, NA
Two daggers with sheaths (eared sfondagiaco daggers), Armorari milanesi
Noctes Atticae, Aulo Gellio
Mary Magdalene Penitent, Guido Reni (1575-1642)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
Figured casket, Scultore lombardo
The Kiss, Francesco Hayez (1791-1882)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Christ Resurrected, Marco Basaiti (1470-1530)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Maternity, Mosè Bianchi (1840-1904)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
The Ambrosian Virgil of Francesco Petrarca, NA
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
The Adoration of the Magi, Pier Francesco Mazzucchelli detto il Morazzone (1571-1626)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Clock with astrolabe, Sconosciuto
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Still Life with Fruit, Isaac Soreau (1604-1638)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Orrery, Sconosciuto
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
Dantesque window, Giuseppe Bertini (1825-1898)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Male portrait, Hans Muelich (1516-1573)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Saint John the Baptist, Gian Giacomo Caprotti
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Kids and Lambs, Francesco Londonio (1723-1783)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
The Damned Soul, Anonimo lombardo (XVII secolo)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Self Portrait, Antonio Canova (1757-1822)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Plato, Giovanni Antonio Piatti (1447-1480)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
Locked out of school, Emilio Longoni (1859-1932)
Nautilus shell, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Man in Armour, Tiziano Vecellio (1480-1576)
Laocoon (copy of the Vatican original), Leone Leoni
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Mary Magdalene, Tiziano Vecellio (1480-1576)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Still Life with Fruit, Isaac Soreau (1604-1638)
Pietà (copy from Michelangelo), Leone Leoni
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Susanna at her Bath, Carlo Francesco Nuvolone (1608-1662)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Napoleon Bonaparte’s gloves, NA
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Mercury and Argus, Anonimo genovese (XVII secolo)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
Washerwomen at the Canal, Emilio Gola (1851-1923)
Burse, Artista dell’Italia centrale
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
The Holy Family, Carlo Francesco Nuvolone (1608-1662)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Portico in Ruins, Giovanni Migliara (1785-1837)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Armillary sphere, Giannello Torriani
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Latin astrolabe, Anonymous
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
The Adoration of the Magi, Andrea Schiavone (1510-1563)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Seascape, Paul Bril (1554-1626)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
The School of Athens, Raffaello Sanzio (1483-1520)