Ambrosiana

The Mysteries of the Codex Atlanticus. Leonardo at the Ambrosiana

To mark the celebrations for the 500th anniversary of Leonardo’s death, the Ambrosiana Library in Milan will showcase its holdings of Leonardo’s works, which are among the most important in the world, as well as of the artists in his circle, with four exhibitions with an outstanding scholarly profile.

The cycle, planned by the College of Fellows of the Ambrosiana Library and curated by the greatest experts on the Tuscan genius, is sponsored by the National Committee and the Territorial Committee for the celebrations of the 500th anniversary of the death of Leonardo da Vinci. The official partner of the Ambrosiana Library is the Fondazione Fiera Milano, which will actively collaborate in both the cycle of initiatives devoted to the Leonardo celebrations and the valorisation of Raphael’s preparatory cartoon for the fresco of the School of Athens in the Vatican.

On the left, Codice Atlantico (Codex Atlanticus), f. 139r, Uomini al lavoro, Leonardo da Vinci (1452-1519), 1480-1482 circa. Penna, inchiostro e carboncino nero, 196 × 255 mm
On the right, Codice Atlantico (Codex Atlanticus), f. 149r, Armi varie e balestra gigante
, Leonardo da Vinci (1452-1519), 1485-1492 circa. Penna, inchiostro, carboncino nero e acquerello, 413 × 277 mm

2019
THE YEAR OF LEONARDO DA VINCI

The Leonardo year at the Ambrosiana opens on 18 December 2018 with an exhibition in two parts, each lasting three months, which will present a total of 46 sheets, chosen from among the most famous and important of the Codex Atlanticus, the true Leonardo treasure at the Ambrosiana, retracing the career of the artist almost from beginning to end, from his early years in Florentine until his last years in France in the service of Francis I.

In particular, the exhibition on “The Secrets of the Codex Atlanticus. Leonardo at the Ambrosiana”, curated by the College of Fellows of the Ambrosiana Library, will focus on those sheets that preserve the most fascinating drawings that Leonardo created with the artistic genius that is universally recognised as his hallmark.

<p>Codice Atlantico (Codex Atlanticus), f. 1097r, <em>Naviglio di San Cristoforo</em>, Leonardo da Vinci (1452-1519), 1509. Penna, inchiostro e acquerello azzurro, 295 × 204 mm</p>

Codice Atlantico (Codex Atlanticus), f. 1097r, Naviglio di San Cristoforo, Leonardo da Vinci (1452-1519), 1509. Penna, inchiostro e acquerello azzurro, 295 × 204 mm

The first part of the exhibition – from 18 December 2018 to 17 March 2019 – opens with Leonardo’s drawings specifically related to the city of Milan. they include the famous plan of the city, with a bird’s eye view of the centre of Milan, a study for the Canal of San Cristoforo, the project for the equestrian monument in honour of Duke Francesco Sforza and studies for the dome of the cathedral. The exhibition continues with some perspective studies and designs of an architectural-military character, as well as some sheets with very fine drawings of weapons of war (crossbows, slings and mortars), studies for the construction of mechanical wings intended for stage productions and the famous project known as “Leonardo car”.

On the left, Codice Atlantico (Codex Atlanticus), f. 812r (+ particolare del f. 114r), L’automobile di Leonardo, Leonardo da Vinci (1452-1519), 1478 circa. Penna e inchiostro, 169 × 270 mm
On the right, Codice Atlantico (Codex Atlanticus), f. 72r, Cavallo del Monumento Sforza, Leonardo da Vinci (1452-1519), 1503-1504 circa. Punta di stilo, matita nera, penna e inchiostro, 487×340 mm

The second part – from 19 March to 16 June 2019 – will present some projects for siege engines, but will focus in particular on civil engineering studies: hydraulic devices, rope-making machines, machines for manufacturing textiles, for the production of mechanical instruments, tools such as punches and automatic spit-turning devices.

The Leonardian year at the Ambrosiana will then continue with the exhibition “Leonardo in France. Drawings in the Codex Atlanticus from the French period”, curated by Pietro C. Marani (18 June – 15 September 2019) and will end with the exhibition “Leonardo and his Legacy: Artists and Techniques” (17 September 2018 – 12 January 2020), curated by Benedetta Spadaccini and dedicated to the drawings made by Leonardo and the artists in his circle.

WHAT’S ON

THE PINACOTECA AMBROSIANA IS OPEN ON MONDAY, NOVEMBER 1

Pinacoteca

THE PINACOTECA AMBROSIANA IS OPEN ON MONDAY, NOVEMBER 1

On Monday, November 1, the Pinacoteca Ambrosiana is open from 10.00 to 18.00.

15/10/2021
NEWS
Signed the Agreement with Sharjah Book Authority

Ambrosiana

Signed the Agreement with Sharjah Book Authority

The primary objective of this partnership wants to be the common enhancement of the book heritage available in both libraries, studying innovative forms of accessibility to the precious historical collections and in particular to the ancient manuscripts in Arabic that the Ambrosiana Library has collected and preserved since the seventeenth century

28/09/2021
NEWS
NAPOLEON AT THE AMBROSIANA

Pinacoteca

NAPOLEON AT THE AMBROSIANA

A journey through representation in the Napoleonic era in Milan: a melting pot of tradition, propaganda and of change and continuity at the same time.

05/10/2021-23/01/2022
Exhibition
READING ROOM: <br>UPDATED OPENING HOURS

Ambrosiana

READING ROOM: UPDATED OPENING HOURS

Open from Sep 1, Monday to Friday, 9.00 to 13.00. Reservation mandatory.

30/08/2021
NEWS
PINACOTECA: UPDATED OPENING HOURS

Pinacoteca

PINACOTECA: UPDATED OPENING HOURS

Opening hours, booking and access procedures

29/07/2021
NEWS

ONLINE COLLECTION

(158 online artworks)

Pietà (copy from Michelangelo), Leone Leoni
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
The Kiss, Francesco Hayez (1791-1882)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Kids and Lambs, Francesco Londonio (1723-1783)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
Maternity, Mosè Bianchi (1840-1904)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Portico in Ruins, Giovanni Migliara (1785-1837)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Still Life with Fruit, Isaac Soreau (1604-1638)
Laocoon (copy of the Vatican original), Leone Leoni
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Mercury and Argus, Anonimo genovese (XVII secolo)
Seascape, Paul Bril (1554-1626)
Dantesque window, Giuseppe Bertini (1825-1898)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Christ Resurrected, Marco Basaiti (1470-1530)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
Still Life with Fruit, Isaac Soreau (1604-1638)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Locked out of school, Emilio Longoni (1859-1932)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Male portrait, Hans Muelich (1516-1573)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
Plato, Giovanni Antonio Piatti (1447-1480)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Noctes Atticae, Aulo Gellio
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Man in Armour, Tiziano Vecellio (1480-1576)
Nautilus shell, Sconosciuto
Latin astrolabe, Anonymous
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Burse, Artista dell’Italia centrale
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
The Damned Soul, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
The School of Athens, Raffaello Sanzio (1483-1520)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
llias picta, NA
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Figured casket, Scultore lombardo
Saint John the Baptist, Gian Giacomo Caprotti
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Clock with astrolabe, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Napoleon Bonaparte’s gloves, NA
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
De divina proportione, Luca Pacioli (1445 circa – 1517)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Mary Magdalene, Tiziano Vecellio (1480-1576)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
Armillary sphere, NA
Washerwomen at the Canal, Emilio Gola (1851-1923)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Self Portrait, Antonio Canova (1757-1822)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Orrery, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Flowers and Roses, Gaetano Previati (1852-1920)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
The Ambrosian Virgil of Francesco Petrarca, NA
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)