Ambrosiana

Alessandro Algardi (1595-1654), Allegory of Rome, (c) RMN – Grand Palais (musée du Louvre) / Michel Urtado

PORT ROYAL ET L’ITALIE

On 13 and 14 October, the Ambrosiana hosts the annual international conference of the Society of Friends of Port-Royal is held, organized with the support of the Faculty of Letters of the Sorbonne University, of the Center for Linguistic Studies and French Literatures (CELLF – UMR 8599), by the Center for the History of Medieval and Modern Societies (MéMo, University of Paris Nanterre), by the National Museum of Port-Royal des Champs and the Society for Seventeenth Century Studies.

The European horizons of Port-Royal seem resolutely turned towards Italy. In question, undoubtedly, the conflictual relationship that maintained with Rome both the abbey of Port-Royal and its surroundings, but also the religious and political movements of the 18th and 19th centuries who claimed Jansenism.
We could then be tempted not to consider the interactions, over the long term, of Port-Royal and Jansenism with the Peninsula only in doctrinal or, more occasionally, theological-political terms, what is more, in terms of the Roman center alone.
This conference would like to re-examine the report of Port-Royal and the Jansenist circles with Roman authority and Italian dimension of the Catholic Church, a report still largely unknown on many points, but also and above all to broaden the perspectives, by questioning the relationships of Port-Royal to Italy and of Italy to Port-Royal even in their spiritual, cultural and literary aspects. Without chronological, disciplinary or geographical limitation, it intends to shed light on the unique, complex but lasting relationship which united Italy with the abbey of Port-Royal and its relatives in the 17th century century, but also to Jansenist circles of the 18th century as well as to historians and emulators of Jansenism of the 19th and 20th centuries, both French and Italian.

PROGRAM

FRIDAY OCTOBER 13, 2023

Welcome
da parte della Société des Amis de Port-Royal

Introduction
OLIVIER ANDURAND — CLÉMENT VAN HAMME

10h20 — De l’Italie à Port-Royal

Les origines italiennes de la réforme de Port-Royal
DANIELLA KOSTROUN
Indiana University

La langue italienne chez Claude Lancelot
NORMA ROMANELLI
CNRS — Université Paris Cité

12h — De Port-Royal en Italie (XVIIIe s.)

Traduction et réception des ouvrages de Jacqueline Pascal en Italie
GIADA SILENZI
Università delgi Studi di Udine

Fortune de Le Tourneux en Italie
ÉRIC SUIRE
Université Bordeaux Montaigne

14h30 — Le cas de la Savoie (XVIIIe s.)

Traces du jansénisme dans les États de Savoie
FULVIO ACCARDI

Le jansénisme dans le Piémont-Savoie au siècle des Lumières. Une configuration politique de la spiritualité de Port-Royal ?
ELISABETTA LURGO
Membre associé de la Faculté de Théologie Catholique de l’Université de Strasbourg (UR4377)

15h45 — Le dialogue de l’art

Un Raphaël à Port-Royal
PHILIPPE LUEZ
Musée national de Port-Royal des Champs

« Ces beautés si propres à faire naître d’excellentes idées. » Philippe de Champaigne et la peinture italienne dans les Conférences de l’Académie royale
SADRINE LELY

SATURDAY OCTOBER 14, 2023

10h10 — L’art du dialogue

Bérulle et ses réseaux en Italie à la lumière de sa correspondance
BLANDINE DELAHAYE

L’abbé Clément et son réseau italien
EMMANUEL LACAM

11h30 — Antiromanisme et antijansénisme

Autour du cardinal Neri Corsini
ALBANE PIALOUX
Sorbonne Université

Un foyer italien de Port-Royal aujourd’hui : le CESPES
MARIA VITA ROMEO CESPES
Università di Catania

14h30 — Vies et survies italiennes de Port-Royal (XIXe s.)

Grégoire et Degola. De cœur et d’esprit
VALÉRIE GUITTIENNE- MÜRGER
Bibliothèque de la Société de Port-Royal

Les derniers sursauts du jansénisme à Naples, entre la République napolitaine et la Restauration
ANTONIO SALVATORE ROMANO
Pontificia Facoltà Teologica dell’Italia Meridionale

Les raisons du cœur chez Manzoni lecteur de Pascal
ELENA VALENTINA MAIOLINI
Università dell’Insubria — ELCI, Sorbonne Université

Conclusion
FRANCESCO DI DONATO
Università delgi Studi di Napoli Federico II

WHAT’S ON

SYMPHONIC CHRISTMAS NOTES:<BR> EVENING VISIT AND CONCERT IN THE SALA FEDERICIANA

Pinacoteca

SYMPHONIC CHRISTMAS NOTES:
EVENING VISIT AND CONCERT IN THE SALA FEDERICIANA

Free evening visit of the Pinacoteca, to discover the great masterpieces of the Renaissance masters followed by a concert in the Sala Federiciana to the notes of Sammartini and Mozart

15/12/2023-15/12/2023
DECEMBER 7 TO 10: OPENING HOURS AND GUIDED TOURS FOR THE LONG WEEKEND

Ambrosiana

DECEMBER 7 TO 10: OPENING HOURS AND GUIDED TOURS FOR THE LONG WEEKEND

Opening hours and initiatives from December 7 to 10

23/11/2023
NEWS
The Cartoon for the battle of Ponte Milvio by Giulio Romano on display in the Pinacoteca

Ambrosiana

The Cartoon for the battle of Ponte Milvio by Giulio Romano on display in the Pinacoteca

From Novembre 23 on display in the Pinacoteca, room 1

23/11/2023
NEWS
VISIT OF THE PINACOTECA AND OF THE CRYPT INCLUDED IN THE NEW YESMILANO CITY PASS

Ambrosiana

VISIT OF THE PINACOTECA AND OF THE CRYPT INCLUDED IN THE NEW YESMILANO CITY PASS

Visit the Pinacoteca and Crypt with YesMilano City pass, the Official Pass for the city of Milan with public transport included.

30/10/2023
NEWS
 The historical and literary sources of the Betrothed

Pinacoteca

The historical and literary sources of the Betrothed

From 12 October 2023, rooms 2 and 3 of the Pinacoteca, exhibition included in the entrance ticket to the museum.

12/10/2023-19/12/2023
Exhibition
GUIDED TOURS IN ENGLISH

Ambrosiana

GUIDED TOURS IN ENGLISH

Every Saturday at 15.30 a guided tour of the masterpieces of the Pinacoteca, together with professional guides of our official partner AdArtem

01/04/2023-30/12/2023

ONLINE COLLECTION

(158 online artworks)

The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Saint John the Baptist, Gian Giacomo Caprotti
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Armillary sphere, NA
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Noctes Atticae, Aulo Gellio
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
The Kiss, Francesco Hayez (1791-1882)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Plato, Giovanni Antonio Piatti (1447-1480)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Nautilus shell, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Washerwomen at the Canal, Emilio Gola (1851-1923)
Mercury and Argus, Anonimo genovese (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Clock with astrolabe, Sconosciuto
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Orrery, Sconosciuto
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
The Ambrosian Virgil of Francesco Petrarca, NA
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Kids and Lambs, Francesco Londonio (1723-1783)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
llias picta, NA
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
Dantesque window, Giuseppe Bertini (1825-1898)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Mary Magdalene, Tiziano Vecellio (1480-1576)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Pietà (copy from Michelangelo), Leone Leoni
Figured casket, Scultore lombardo
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Burse, Artista dell’Italia centrale
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Male portrait, Hans Muelich (1516-1573)
Still Life with Fruit, Isaac Soreau (1604-1638)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Christ Resurrected, Marco Basaiti (1470-1530)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Laocoon (copy of the Vatican original), Leone Leoni
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Seascape, Paul Bril (1554-1626)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
The School of Athens, Raffaello Sanzio (1483-1520)
Maternity, Mosè Bianchi (1840-1904)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Latin astrolabe, Anonymous
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Locked out of school, Emilio Longoni (1859-1932)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Man in Armour, Tiziano Vecellio (1480-1576)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Portico in Ruins, Giovanni Migliara (1785-1837)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
Napoleon Bonaparte’s gloves, NA
The Adoration of the Magi, Andrea Schiavone (1510-1563)
Still Life with Fruit, Isaac Soreau (1604-1638)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Flowers and Roses, Gaetano Previati (1852-1920)
The Damned Soul, Anonimo lombardo (XVII secolo)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Self Portrait, Antonio Canova (1757-1822)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)