This exquisite panel by Bernaert van Orley was probably made in about 1516. It shows the Madonna nursing the Child and it has a wealth of symbolic elements. In art history, the wall and the fountain are a reference to the Canticle of Canticles – “My sister, my spouse, is a garden enclosed, a garden enclosed, a fountain sealed up” (Ct 4: 12) – and symbolise the fertile virginity of Mary; the steps behind her indicate that, for the believer, the Virgin is the chosen means that leads to Heaven. Also, between the fountain and the wall, we see blue irises, which recall the Marian title of “Queen of Heaven”, and white lilies, which symbolise the “Mother most pure” and the “Mother most chaste”, as referred to in the Loreto Litanies. In the background on the right, there is a building and the figure of Joseph, and on the left, in lush, peaceful vegetation, we see some men and animals, the symbolism of which is however not clear.
An itinerary through the treasures of the Biblioteca Ambrosiana curated by Federico Gallo and Stefano Martinelli Tempesta | Pinacoteca, rooms 2 and 3
From April 15, on the occasion of Design Week, the rooms of the Pinacoteca Ambrosiana will host 'Moleskine Detour', an international exhibition promoted by Moleskine and the Moleskine Foundation.
Recovery of the functionality of the balconies of the Sala Federiciana, Borromeo and della Rosa through the installation of lifelines
Every Saturday at 15.30 a guided tour of the masterpieces of the Pinacoteca, together with professional guides of our official partner AdArtem
