Ambrosiana

The Mysteries of the Codex Atlanticus. Leonardo at the Ambrosiana

To mark the celebrations for the 500th anniversary of Leonardo’s death, the Ambrosiana Library in Milan will showcase its holdings of Leonardo’s works, which are among the most important in the world, as well as of the artists in his circle, with four exhibitions with an outstanding scholarly profile.

The cycle, planned by the College of Fellows of the Ambrosiana Library and curated by the greatest experts on the Tuscan genius, is sponsored by the National Committee and the Territorial Committee for the celebrations of the 500th anniversary of the death of Leonardo da Vinci. The official partner of the Ambrosiana Library is the Fondazione Fiera Milano, which will actively collaborate in both the cycle of initiatives devoted to the Leonardo celebrations and the valorisation of Raphael’s preparatory cartoon for the fresco of the School of Athens in the Vatican.

On the left, Codice Atlantico (Codex Atlanticus), f. 139r, Uomini al lavoro, Leonardo da Vinci (1452-1519), 1480-1482 circa. Penna, inchiostro e carboncino nero, 196 × 255 mm
On the right, Codice Atlantico (Codex Atlanticus), f. 149r, Armi varie e balestra gigante
, Leonardo da Vinci (1452-1519), 1485-1492 circa. Penna, inchiostro, carboncino nero e acquerello, 413 × 277 mm

2019
THE YEAR OF LEONARDO DA VINCI

The Leonardo year at the Ambrosiana opens on 18 December 2018 with an exhibition in two parts, each lasting three months, which will present a total of 46 sheets, chosen from among the most famous and important of the Codex Atlanticus, the true Leonardo treasure at the Ambrosiana, retracing the career of the artist almost from beginning to end, from his early years in Florentine until his last years in France in the service of Francis I.

In particular, the exhibition on “The Secrets of the Codex Atlanticus. Leonardo at the Ambrosiana”, curated by the College of Fellows of the Ambrosiana Library, will focus on those sheets that preserve the most fascinating drawings that Leonardo created with the artistic genius that is universally recognised as his hallmark.

<p>Codice Atlantico (Codex Atlanticus), f. 1097r, <em>Naviglio di San Cristoforo</em>, Leonardo da Vinci (1452-1519), 1509. Penna, inchiostro e acquerello azzurro, 295 × 204 mm</p>

Codice Atlantico (Codex Atlanticus), f. 1097r, Naviglio di San Cristoforo, Leonardo da Vinci (1452-1519), 1509. Penna, inchiostro e acquerello azzurro, 295 × 204 mm

The first part of the exhibition – from 18 December 2018 to 17 March 2019 – opens with Leonardo’s drawings specifically related to the city of Milan. they include the famous plan of the city, with a bird’s eye view of the centre of Milan, a study for the Canal of San Cristoforo, the project for the equestrian monument in honour of Duke Francesco Sforza and studies for the dome of the cathedral. The exhibition continues with some perspective studies and designs of an architectural-military character, as well as some sheets with very fine drawings of weapons of war (crossbows, slings and mortars), studies for the construction of mechanical wings intended for stage productions and the famous project known as “Leonardo car”.

On the left, Codice Atlantico (Codex Atlanticus), f. 812r (+ particolare del f. 114r), L’automobile di Leonardo, Leonardo da Vinci (1452-1519), 1478 circa. Penna e inchiostro, 169 × 270 mm
On the right, Codice Atlantico (Codex Atlanticus), f. 72r, Cavallo del Monumento Sforza, Leonardo da Vinci (1452-1519), 1503-1504 circa. Punta di stilo, matita nera, penna e inchiostro, 487×340 mm

The second part – from 19 March to 16 June 2019 – will present some projects for siege engines, but will focus in particular on civil engineering studies: hydraulic devices, rope-making machines, machines for manufacturing textiles, for the production of mechanical instruments, tools such as punches and automatic spit-turning devices.

The Leonardian year at the Ambrosiana will then continue with the exhibition “Leonardo in France. Drawings in the Codex Atlanticus from the French period”, curated by Pietro C. Marani (18 June – 15 September 2019) and will end with the exhibition “Leonardo and his Legacy: Artists and Techniques” (17 September 2018 – 12 January 2020), curated by Benedetta Spadaccini and dedicated to the drawings made by Leonardo and the artists in his circle.

WHAT’S ON

READING ROOM CLOSURE FROM SEPTEMBER 24 TO 29

Ambrosiana

READING ROOM CLOSURE FROM SEPTEMBER 24 TO 29

Reading room closed from September 24 to 29 included

24/09/2025-29/09/2025
ARE YOU IN LOVE? NO I'M IN MILANO

Ambrosiana

ARE YOU IN LOVE? NO I'M IN MILANO

19/09/2025-14/10/2025
Exhibition
SEPTEMBER 28: SPECIAL EVENING OPENING

Ambrosiana

SEPTEMBER 28: SPECIAL EVENING OPENING

From 18.00 to 19.30 (last admission) entrance to the Art Gallery and Crypt at the special price of €3.00

28/09/2025-28/09/2025
Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

ONLINE COLLECTION

(158 online artworks)

Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Self Portrait, Bertel Thorvaldsen (1770-1844)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Seascape, Paul Bril (1554-1626)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Orrery, Sconosciuto
Clock with astrolabe, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
The Kiss, Francesco Hayez (1791-1882)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Latin astrolabe, Anonymous
Mercury and Argus, Anonimo genovese (XVII secolo)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Burse, Artista dell’Italia centrale
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Portico in Ruins, Giovanni Migliara (1785-1837)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
The Ambrosian Virgil of Francesco Petrarca, NA
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
Still Life with Fruit, Isaac Soreau (1604-1638)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Man in Armour, Tiziano Vecellio (1480-1576)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Still Life with Fruit, Isaac Soreau (1604-1638)
The School of Athens, Raffaello Sanzio (1483-1520)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Plato, Giovanni Antonio Piatti (1447-1480)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Pietà (copy from Michelangelo), Leone Leoni
Locked out of school, Emilio Longoni (1859-1932)
Armillary sphere, NA
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Kids and Lambs, Francesco Londonio (1723-1783)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Saint John the Baptist, Gian Giacomo Caprotti
The Blessed Soul, Anonimo lombardo (XVII secolo)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
Christ Resurrected, Marco Basaiti (1470-1530)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Washerwomen at the Canal, Emilio Gola (1851-1923)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Napoleon Bonaparte’s gloves, NA
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Male portrait, Hans Muelich (1516-1573)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Maternity, Mosè Bianchi (1840-1904)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Self Portrait, Antonio Canova (1757-1822)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
The Damned Soul, Anonimo lombardo (XVII secolo)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Nautilus shell, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Mary Magdalene, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Laocoon (copy of the Vatican original), Leone Leoni
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Dantesque window, Giuseppe Bertini (1825-1898)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
Flowers and Roses, Gaetano Previati (1852-1920)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Figured casket, Scultore lombardo
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Noctes Atticae, Aulo Gellio
llias picta, NA
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)